#1702 – 1976 13c Contemporary Christmas: Currier's "Winter Pastime"

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U.S. #1702
1976 13¢ Winter Pastime
Contemporary Christmas
 
 
Issue Date: October 27, 1976
City: Boston, MA
Quantity: 481,685,000
Printed By: Bureau of Engraving and Printing
Printing Method: Photogravure
Perforations: 11
Color: Multicolored
 
The subject of this Christmas issue is a lithograph by Nathaniel Currier from 1855, entitled "Winter Pastime."  Currier created it two years before he became a partner with James Ives.
 
U.S. #1702 and #1703 feature the same design; however, #1702 has sharp colors and ½ mm space between the title and the design. U.S. #1703 has dull colors by comparison, and ¾ mm space between the title and the design.
 

Birth of Nathaniel Currier

American lithographer Nathaniel Currier was born on March 27, 1813, in Roxbury, Massachusetts.

Currier attended public school until he was 15, at which point he began an apprenticeship with Boston lithographers William and John Pendleton.  The Pendleton brothers were the first successful lithographers in America.

Five years later, Currier moved to Philadelphia to work with an engraver and printer. Currier prepared the stones used for printing images in a scientific journal.  He then moved to New York City and bought his own shop with a local printmaker named Stodart.  They mostly produced music manuscripts for a local publisher.  During this time Currier also worked as a volunteer fireman.

In 1835, Currier set up his own shop.  That year he created a print showing a fire that had recently swept through the city (which you can see here). He sold thousands of copies in the first week and realized there was a market for illustrating news events.  Papers at the time didn’t include pictures.  Five years later, Currier produced a print of a steamboat disaster (which you can see here).  It sold out and local newspaper the New York Sun hired him to print a single-sheet addition to their paper.

In 1850, Nathaniel hired James Ives as his bookkeeper.  He improved Currier’s record system and reorganized the inventory.  Ives had a talent for knowing which images would be popular with the public.  In 1857, Ives became a full partner in the firm.

The company used the artwork of some well-known artists at the time.  One of them, Fanny Palmer, was the first woman to make her living as a full-time artist in America.  After the prints were made, they were colored by a team of women, many of them immigrants from Germany.  Each one was responsible for adding one color to each print, and then it was passed to the next woman who would paint her portion.

Over the years, the firm produced at least 7,500 different images.  The subjects included the sentimental scenes we’ve come to associate with the company, as well as sports, humor, and national events.

Currier retired from his firm in 1880 and died on November 20, 1888.  Currier and Ives’ sons took over the business after their fathers retired.  The firm closed in 1907 due to advances in printing processes other than lithography.  During the 72 years of production, Currier & Ives produced more than a million prints.

Click here to view more Currier and Ives images.

 
 
 
 
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U.S. #1702
1976 13¢ Winter Pastime
Contemporary Christmas
 
 
Issue Date: October 27, 1976
City: Boston, MA
Quantity: 481,685,000
Printed By: Bureau of Engraving and Printing
Printing Method: Photogravure
Perforations: 11
Color: Multicolored
 
The subject of this Christmas issue is a lithograph by Nathaniel Currier from 1855, entitled "Winter Pastime."  Currier created it two years before he became a partner with James Ives.
 
U.S. #1702 and #1703 feature the same design; however, #1702 has sharp colors and ½ mm space between the title and the design. U.S. #1703 has dull colors by comparison, and ¾ mm space between the title and the design.
 

Birth of Nathaniel Currier

American lithographer Nathaniel Currier was born on March 27, 1813, in Roxbury, Massachusetts.

Currier attended public school until he was 15, at which point he began an apprenticeship with Boston lithographers William and John Pendleton.  The Pendleton brothers were the first successful lithographers in America.

Five years later, Currier moved to Philadelphia to work with an engraver and printer. Currier prepared the stones used for printing images in a scientific journal.  He then moved to New York City and bought his own shop with a local printmaker named Stodart.  They mostly produced music manuscripts for a local publisher.  During this time Currier also worked as a volunteer fireman.

In 1835, Currier set up his own shop.  That year he created a print showing a fire that had recently swept through the city (which you can see here). He sold thousands of copies in the first week and realized there was a market for illustrating news events.  Papers at the time didn’t include pictures.  Five years later, Currier produced a print of a steamboat disaster (which you can see here).  It sold out and local newspaper the New York Sun hired him to print a single-sheet addition to their paper.

In 1850, Nathaniel hired James Ives as his bookkeeper.  He improved Currier’s record system and reorganized the inventory.  Ives had a talent for knowing which images would be popular with the public.  In 1857, Ives became a full partner in the firm.

The company used the artwork of some well-known artists at the time.  One of them, Fanny Palmer, was the first woman to make her living as a full-time artist in America.  After the prints were made, they were colored by a team of women, many of them immigrants from Germany.  Each one was responsible for adding one color to each print, and then it was passed to the next woman who would paint her portion.

Over the years, the firm produced at least 7,500 different images.  The subjects included the sentimental scenes we’ve come to associate with the company, as well as sports, humor, and national events.

Currier retired from his firm in 1880 and died on November 20, 1888.  Currier and Ives’ sons took over the business after their fathers retired.  The firm closed in 1907 due to advances in printing processes other than lithography.  During the 72 years of production, Currier & Ives produced more than a million prints.

Click here to view more Currier and Ives images.