3649s FDC - 2002 37c Masters of American Photography: Garry Winogrand
2002 37c Masters of American Photography: Garry Winogrand

# 3649s FDC - 2002 37c Masters of American Photography: Garry Winogrand

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U.S. #3649s
37¢ Photograph of Pedestrians
by Garry Winogrand
Masters of American Photography

Issue Date: June 13, 2002
City: San Diego, CA
Quantity: 3,000,000
Printed By: American Packaging Corporation for Sennett Security Products
Printing Method: Photogravure
Perforations: Serpentine Die Cut 10.5 x 10.75
Color: Multicolored
 
The Masters of American Photography pane marks the end of the Classic Collection Series that began in 1994 with the Legends of the West. Works by twenty renowned American photographers are displayed on this pane in chronological order. The selvage shows a photo taken by William Henry Jackson or by one of his assistants. These artists combined daring, craftsmanship, and creativity to enlarge our view of America and the American people.
 
Garry Winogrand (1928-84) used a wide-angle lens on a small-format, 35mm camera, which allowed him to move about freely. He focused on odd combinations of people and objects and often tilted the frame.

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U.S. #3649s
37¢ Photograph of Pedestrians
by Garry Winogrand
Masters of American Photography

Issue Date: June 13, 2002
City: San Diego, CA
Quantity: 3,000,000
Printed By: American Packaging Corporation for Sennett Security Products
Printing Method: Photogravure
Perforations: Serpentine Die Cut 10.5 x 10.75
Color: Multicolored
 
The Masters of American Photography pane marks the end of the Classic Collection Series that began in 1994 with the Legends of the West. Works by twenty renowned American photographers are displayed on this pane in chronological order. The selvage shows a photo taken by William Henry Jackson or by one of his assistants. These artists combined daring, craftsmanship, and creativity to enlarge our view of America and the American people.
 
Garry Winogrand (1928-84) used a wide-angle lens on a small-format, 35mm camera, which allowed him to move about freely. He focused on odd combinations of people and objects and often tilted the frame.

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