#705 – 1932 1c Washington from Houdon Bust

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U.S. #705
1932 1¢ Washington
Washington Bicentennial Issue

Issue Date:
January 1, 1932
First City: Washington, DC
Quantity Issued: 1,265,555,100
 
In 1932, twelve stamps were issued to commemorate the 200th anniversary of George Washington’s birth. Each stamp features a different portrait of Washington, all based on famous sculptures. The 1¢ denomination pictures the Houdon bust.
 
Houdon Sculpts Bust of
George Washington
In 1785, the most acclaimed sculptor of the era left Russia’s Catherine the Great waiting and traveled to the United States. Thomas Jefferson and Benjamin Franklin had become familiar with the work of Jean Antoine Houdon while serving as ministers to France. At their urging, Houdon was commissioned to sculpt a bust of retired General George Washington. Houdon spent weeks at Washington’s Mount Vernon home and studied him carefully. On one occasion, Washington became angry about a horse trader’s prices and ordered the man off his property. At that moment, Houdon found the expression of pride and strength that inspired a nation. Houdon set off to capture the expression in his sculpture. The artist prepared a clay bust and a plaster life mask of Washington before returning to France to complete his work. Houdon’s bust of Washington is regarded as the most accurate representation of George Washington’s face in existence. The design of U.S. #705 is based on Houdon’s bust.
 

Washington Bicentennial Issue

The Post Office officially announced their plans for a set of stamps honoring Washington’s 200th birthday in November 1930.  Early on, they had grand ideas for the set.

At one point, the set was to consist of at least 18 stamps with all values between ½¢ and $5.  Prior to that, the largest set issued was the Columbians, which had comprised 16 stamps.  The Post Office also considered using the same wide format of the Columbians for the Washington Bicentennials. 

The plan was to create two-color stamps with grand scenes retelling Washington’s life – crossing the Delaware, his 1793 inauguration, his home life, his birthplace, resigning his commission, a double portrait with his wife Martha, his tomb at Mount Vernon, and the Washington Monument.  However, the Post Office eventually decided against the plan because they would have to use famous paintings that were known to be filled with inaccuracies. 

At one point, Congress considered a bill that proposed that all the stamps issued in 1932 bear Washington’s portrait, but that bill was never passed.  In the end, the Post Office decided to produce a set of 12 single color stamps picturing portraits by famous artists that showed Washington at different times in his life. 

As a result, several of the stamps pictured unfamiliar images of Washington.  But the Post Office specifically selected the famed and beloved Gilbert Stuart Athenaeum portrait for the 2¢ stamp.  At the time, 2¢ was the normal first-class letter rate, so that would have been the most used stamp at the time.  However, a few months after the series was issued, the first-class letter rate was raised to 3¢. 

The Post Office conducted an emergency reprinting of the 3¢ Washington Bicentennial stamp as well as the current 3¢ Lincoln regular issue.  But there still weren’t enough of the stamps to satisfy demand.  And the Post Office knew that the portrait on the 3¢ stamp was little known to most people.  So they decided to rework the 2¢ Athenaeum design.  They made it a 3¢ stamp and removed the date ribbons next to the portrait, so it would essentially be a regular issue. 

 
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U.S. #705
1932 1¢ Washington
Washington Bicentennial Issue

Issue Date:
January 1, 1932
First City: Washington, DC
Quantity Issued: 1,265,555,100
 
In 1932, twelve stamps were issued to commemorate the 200th anniversary of George Washington’s birth. Each stamp features a different portrait of Washington, all based on famous sculptures. The 1¢ denomination pictures the Houdon bust.
 
Houdon Sculpts Bust of
George Washington
In 1785, the most acclaimed sculptor of the era left Russia’s Catherine the Great waiting and traveled to the United States. Thomas Jefferson and Benjamin Franklin had become familiar with the work of Jean Antoine Houdon while serving as ministers to France. At their urging, Houdon was commissioned to sculpt a bust of retired General George Washington. Houdon spent weeks at Washington’s Mount Vernon home and studied him carefully. On one occasion, Washington became angry about a horse trader’s prices and ordered the man off his property. At that moment, Houdon found the expression of pride and strength that inspired a nation. Houdon set off to capture the expression in his sculpture. The artist prepared a clay bust and a plaster life mask of Washington before returning to France to complete his work. Houdon’s bust of Washington is regarded as the most accurate representation of George Washington’s face in existence. The design of U.S. #705 is based on Houdon’s bust.
 

Washington Bicentennial Issue

The Post Office officially announced their plans for a set of stamps honoring Washington’s 200th birthday in November 1930.  Early on, they had grand ideas for the set.

At one point, the set was to consist of at least 18 stamps with all values between ½¢ and $5.  Prior to that, the largest set issued was the Columbians, which had comprised 16 stamps.  The Post Office also considered using the same wide format of the Columbians for the Washington Bicentennials. 

The plan was to create two-color stamps with grand scenes retelling Washington’s life – crossing the Delaware, his 1793 inauguration, his home life, his birthplace, resigning his commission, a double portrait with his wife Martha, his tomb at Mount Vernon, and the Washington Monument.  However, the Post Office eventually decided against the plan because they would have to use famous paintings that were known to be filled with inaccuracies. 

At one point, Congress considered a bill that proposed that all the stamps issued in 1932 bear Washington’s portrait, but that bill was never passed.  In the end, the Post Office decided to produce a set of 12 single color stamps picturing portraits by famous artists that showed Washington at different times in his life. 

As a result, several of the stamps pictured unfamiliar images of Washington.  But the Post Office specifically selected the famed and beloved Gilbert Stuart Athenaeum portrait for the 2¢ stamp.  At the time, 2¢ was the normal first-class letter rate, so that would have been the most used stamp at the time.  However, a few months after the series was issued, the first-class letter rate was raised to 3¢. 

The Post Office conducted an emergency reprinting of the 3¢ Washington Bicentennial stamp as well as the current 3¢ Lincoln regular issue.  But there still weren’t enough of the stamps to satisfy demand.  And the Post Office knew that the portrait on the 3¢ stamp was little known to most people.  So they decided to rework the 2¢ Athenaeum design.  They made it a 3¢ stamp and removed the date ribbons next to the portrait, so it would essentially be a regular issue.