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#86

1908 Newfoundland

$3.75

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Issued in 1908 as a single-stamp issue rather than part of a larger set, this 2-cent rose carmine stamp is one of the most distinctive in all of Newfoundland philately. The design fills the stamp face with a detailed engraved map of the island, showing the Gulf of St. Lawrence to the west and the Atlantic Ocean to the east — a bold and unusual choice for the era. It was printed by the American Bank Note Company of New York, and holds the distinction of being the last Newfoundland stamp that company ever produced.

The stamp was issued during the reign of King Edward VII, at a time when Newfoundland was a self-governing dominion within the British Empire. Rather than featuring a royal portrait as most contemporaries did, this issue made the island itself the subject — a confident statement of geographic identity from a proud dominion on the edge of the North Atlantic. The map design, with its clean white landmass against the engraved red background, gives the stamp a graphic strength that still catches the eye today.

For collectors of British North America or map topicals, this is a classic single that stands on its own. It bridges the Victorian-era engraved issues and the more elaborate pictorial series that would follow in the 1910s, and its one-stamp issue status gives it a singular place in the Newfoundland story.

Issued in 1908 as a single-stamp issue rather than part of a larger set, this 2-cent rose carmine stamp is one of the most distinctive in all of Newfoundland philately. The design fills the stamp face with a detailed engraved map of the island, showing the Gulf of St. Lawrence to the west and the Atlantic Ocean to the east — a bold and unusual choice for the era. It was printed by the American Bank Note Company of New York, and holds the distinction of being the last Newfoundland stamp that company ever produced.

The stamp was issued during the reign of King Edward VII, at a time when Newfoundland was a self-governing dominion within the British Empire. Rather than featuring a royal portrait as most contemporaries did, this issue made the island itself the subject — a confident statement of geographic identity from a proud dominion on the edge of the North Atlantic. The map design, with its clean white landmass against the engraved red background, gives the stamp a graphic strength that still catches the eye today.

For collectors of British North America or map topicals, this is a classic single that stands on its own. It bridges the Victorian-era engraved issues and the more elaborate pictorial series that would follow in the 1910s, and its one-stamp issue status gives it a singular place in the Newfoundland story.

 
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