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The set of four Carousel Horses stamps were issued on July 21, 1995. They were part of the American Folk Art series. After almost two years, the USPS decided to end the sale of these stamps. This cover is a fun way to mark the last day of sale of these stamps.
The stamp on this cover (US #2976) pictures a Palomino Pony.
Carousels have a long and fascinating history that can be traced as far back as early Byzantine times. Rather than being used for amusement however, early carousels were actually used for training purposes. In fact, the word itself comes from 12th-century Arabian games of horsemanship called carosellos or “little wars.” Fragile, heavily scented clay balls were tossed from one rider to another; dexterity and equestrian skill was needed to avoid the unmanly mark of the loser – a bath of sweet smelling perfume.
By the late 17th century, carousels had been developed to train young noblemen for spearing contests. Seated on wooden horses, the riders tried to lance rings as they rode around a pole. Forerunner of the modern day carousel and its game of “catching the brass ring,” the ride evolved into a popular form of entertainment.
The King Horse shown on this stamp, with its fancy tassels and cabbage roses, is typical of the Coney Island style of carousel horse. One of the largest horses ever created, this dramatic steed was carved by Stein and Goldstein around 1910.
The set of four Carousel Horses stamps were issued on July 21, 1995. They were part of the American Folk Art series. After almost two years, the USPS decided to end the sale of these stamps. This cover is a fun way to mark the last day of sale of these stamps.
The stamp on this cover (US #2976) pictures a Palomino Pony.
Carousels have a long and fascinating history that can be traced as far back as early Byzantine times. Rather than being used for amusement however, early carousels were actually used for training purposes. In fact, the word itself comes from 12th-century Arabian games of horsemanship called carosellos or “little wars.” Fragile, heavily scented clay balls were tossed from one rider to another; dexterity and equestrian skill was needed to avoid the unmanly mark of the loser – a bath of sweet smelling perfume.
By the late 17th century, carousels had been developed to train young noblemen for spearing contests. Seated on wooden horses, the riders tried to lance rings as they rode around a pole. Forerunner of the modern day carousel and its game of “catching the brass ring,” the ride evolved into a popular form of entertainment.
The King Horse shown on this stamp, with its fancy tassels and cabbage roses, is typical of the Coney Island style of carousel horse. One of the largest horses ever created, this dramatic steed was carved by Stein and Goldstein around 1910.